{"id":98,"date":"2020-01-31T20:43:16","date_gmt":"2020-01-31T19:43:16","guid":{"rendered":"http:\/\/mariefavier.com\/?page_id=98"},"modified":"2022-03-01T16:21:02","modified_gmt":"2022-03-01T15:21:02","slug":"videos","status":"publish","type":"page","link":"https:\/\/mariefavier.com\/index.php\/videos\/","title":{"rendered":"Vid\u00e9os"},"content":{"rendered":"\n<p><strong>D. PARTON <\/strong>\u00ab\u00a0Jolene\u00a0\u00bb Cover by Comet Musicke<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Jolene - Dolly Parton - cover by Comet Musicke\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/0ZXyTYDTTIA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>G. BINCHOIS<\/strong> \u00ab\u00a0Ma dame que j&rsquo;ayme\u00a0\u00bb Comet Musicke<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"G. BINCHOIS &quot;Ma dame que j&#039;ayme et croy&quot; - Comet Musicke\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/4VuRzL67fKw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u00ab\u00a0Place donc au concert pilot\u00e9 par sept artistes, chanteurs, violistes, violonistes, cornettistes, fl\u00fbtistes: des histoires cont\u00e9es par Marie Favier, mezzo-soprano, avec malice, entrain, dans un jeu de conteuse com\u00e9dienne qui se renforce tout au long du r\u00e9cital. Belle performance vocale et sc\u00e9nique, mimiques au poing, toujours dans le jeu.\u00a0\u00bb<strong> 07\/09\/20 Comet Musicke, Festival Voix et Routes Romanes<\/strong> \/ <a href=\"https:\/\/genevieve-charras.blogspot.com\/2020\/09\/comet-musicke-johannes-de-ockeghem-vray.html?fbclid=IwAR20AXCehgy_kgpIsGXBtmO3OJ58i9qhknpFzSWS6Dz647s73whLUO-9i50\">G<\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/genevieve-charras.blogspot.com\/2020\/09\/comet-musicke-johannes-de-ockeghem-vray.html?fbclid=IwAR20AXCehgy_kgpIsGXBtmO3OJ58i9qhknpFzSWS6Dz647s73whLUO-9i50\" target=\"_blank\">enevi\u00e8ve Charras<\/a> <\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u00ab\u00a0<strong>C. MONTEVERDI<\/strong> &#8211; Il canto alla viola da gamba \u00a0\u00bb Comet Musicke &#8211; Festival Radio France<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Comet Musicke - Festival Radio France - Claudio Monteverdi, il canto alla viola da gamba (extraits)\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/zXgbXVEZ60U?start=76&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>\u00ab&nbsp;<\/strong>\u00ab\u00a0Quant \u00e0 la mezzo-soprano&nbsp;Marie Favier, \u00e0 la belle pr\u00e9sence sc\u00e9nique, elle sait nous \u00e9mouvoir dans le c\u00e9l\u00e8bre&nbsp;<em>Lamento d\u2019Arianna,<\/em>&nbsp;malheureusement raccourci ; et elle est particuli\u00e8rement bouleversante dans l\u2019air&nbsp;<em>Addio Roma<\/em> de&nbsp;<em>l\u2019Incoronazione di Poppea.\u00a0\u00bb&nbsp;<\/em><strong>17\/07\/19 Comet Musicke, Festival Radio France Montpellier Occitanie<\/strong> \/ <a href=\"https:\/\/www.resmusica.com\/2019\/07\/17\/monteverdi-par-comet-musicke-petit-effectif-et-grand-talent-festival-radio-france-occitanie-montpellier\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"C\u00e9cile Glaenzer pour ResMusica  (s\u2019ouvre dans un nouvel onglet)\">C\u00e9cile Glaenzer pour ResMusica <\/a><\/p>\n\n\n\n<p>\u00ab\u00a0What they have to their advantage is not only do four of them perform very proficiently on a variety of instruments but four of them are singers with the bulk of solo singing falling on mezzo-soprano Marie Favier and tenor Francisco Ma\u00f1alich. The former\u2019s only instrument is the best one of all: the voice. Hers is a lovely mellow voice while the latter has that typically Iberian timbre, warm and strong. Both singers sang with impeccably expressive precision\u00a0\u00bb <strong>07\/07\/19 Comet Musicke, Victoria International Art Festival in Gozo (Malta)<\/strong> \/ <a href=\"https:\/\/www.viaf.org.mt\/monteverdian-delights-by-comet-musicke\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Albert George Storace (s\u2019ouvre dans un nouvel onglet)\">Albert George Storace<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>A. CAMPRA<\/strong> <em>Tancr\u00e8de<\/em>, Acte III sc. 4 \u00ab\u00a0Air de la Driade\u00a0\u00bb CMBV<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CAMPRA - Tancr\u00e8de- Acte III, sc. 4  &quot;Air de la Driade&quot;\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/wdi22YsuWMg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u00ab\u00a0Enfin,&nbsp;<strong>Marie Favier<\/strong>&nbsp;(Clorinde) \u00e9tait la seule \u00e0 s&rsquo;exprimer avec aisance dans un lieu hostile&nbsp;: on sent l&rsquo;habitude de r\u00e9pertoires plus lourds, et la voix devient opaque quelquefois en montant, mais la qualit\u00e9 de la mati\u00e8re, organique et mouvante, l&rsquo;autorit\u00e9 de la projection rendent sa pr\u00e9sence particuli\u00e8rement pr\u00e9gnante. A cela, il faut ajouter qu&rsquo;elle est la seule \u00e0 r\u00e9ellement s&rsquo;appuyer sur les quantit\u00e9s des vers pour s&rsquo;exprimer avec \u00e9loquence. Du potentiel et un bel avenir. On pourrait la comparer \u00e0 Aur\u00e9lia Legay il y a dix ou quinze ans &#8211; par exemple au moment du&nbsp;<em>Th\u00e9s\u00e9e<\/em>&nbsp;d&rsquo;Ambronay. \u00ab\u00a0<strong> 21\/02\/15 <em>Tancr\u00e8de<\/em> de Campra, Ch\u00e2teau de Versailles <\/strong>\/ <a rel=\"noreferrer noopener\" aria-label=\"David Le Marrec pour operacritiques.online.fr&nbsp;  (s\u2019ouvre dans un nouvel onglet)\" href=\"http:\/\/operacritiques.free.fr\/css\/index.php?2013\/02\/24\/2202-antoine-danchet-andre-campra-tancrede-1702-et-son-epoque-l-academie-royale-de-musique-et-la-galerie-des-batailles-versailles-2013-chantres-cmbv\" target=\"_blank\">David Le Marrec pour operacritiques.online.fr&nbsp; <\/a><\/p>\n\n\n\n<p>\u00ab\u00a0Enfin,&nbsp;Marie Favier (guerri\u00e8re et driade),&nbsp;d\u00e9j\u00e0 Clorinde&nbsp;avec Schneebeli, impressionne par la personnalit\u00e9 \u00e0 la fois fruit\u00e9e et tranchante de son timbre, \u00e0 chaque intervention. Une voix extr\u00eamement int\u00e9ressante, et manifestement une personnalit\u00e9 sensible \u00e0 la d\u00e9clamation. Il faut vraiment lui donner l&rsquo;occasion de s&rsquo;\u00e9panouir dans ce r\u00e9pertoire, elle pourrait faire merveille aussi bien dans les dessus (juv\u00e9nilit\u00e9 et couleur) que dans les bas-dessus (densit\u00e9 et caract\u00e8re \u00ab&nbsp;cors\u00e9&nbsp;\u00bb).\u00a0\u00bb&nbsp;<strong>07\/05\/14 <em>Tancr\u00e8de<\/em> de Campra, Op\u00e9ra de Versailles <\/strong>\/ <a rel=\"noreferrer noopener\" aria-label=\"David Le Marrec pour operacritique.free.fr  (s\u2019ouvre dans un nouvel onglet)\" href=\"http:\/\/operacritiques.free.fr\/css\/index.php?2014\/05\/08\/2463-andre-campra-tancrede-olivier-schneebeli-tavernier-avignon-versailles-2014-arnould-druet-santon-buet-martin-bonnet-chantreshttp:\/\/operacritiques.free.fr\/css\/index.php?2014\/05\/08\/2463-andre-campra-tancrede-olivier-schneebeli-tavernier-avignon-versailles-2014-arnould-druet-santon-buet-martin-bonnet-chantres\" target=\"_blank\">David Le Marrec pour operacritique.free.fr <\/a><\/p>\n\n\n\n<p>\u00ab\u00a0Saluons dans ce sens les deux dessus au verbe cisel\u00e9 autant qu\u2019au jeu d\u2019une solide justesse (Anne-Marie Beaudette et en particulier Marie Favier&nbsp;au timbre rond et palpitant). Chacune de leur prestation fait mouche, les divertissements gagnent un surcro\u00eet de profondeur.\u00a0\u00bb&nbsp;<strong>24\/05\/15 Tancr\u00e8de de Campra, Cd Alpha <\/strong>\/ <a rel=\"noreferrer noopener\" aria-label=\"Camille de Joyeuse pour Classiquenews.com (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/www.classiquenews.com\/cd-compte-rendu-critique-campra-tancrede-version-1702-3-cd-alpha-schneebeli-2014\/\" target=\"_blank\">Camille de Joyeuse pour Classiquenews.com<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>MARGUERITE<\/strong> Film de X. Giannoli \u00ab\u00a0Come ye sons of art\u00a0\u00bb de H. Purcell<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"MARGUERITE &quot;Come ye sons of Art&quot; de Purcell\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/2cx-nAIIFa0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>J.S BACH<\/strong> \u00ab\u00a0Es ist vollbracht\u00a0\u00bb St Johannes Passion<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"J.S BACH -Johannes Passion - &quot;Es ist vollbracht&quot;\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/KKVRZnwple8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u00ab\u00a0Il (Herv\u00e9 Niquet) s\u2019est \u00e9galement choisi une \u00e9quipe de jeunes chanteurs qui interviennent donc dans les divers interm\u00e8des musicaux au fil de l\u2019\u0153uvre. Le pupitre f\u00e9minin est riche de trois couleurs compl\u00e9mentaires de mezzos {&#8230;}&nbsp;Marie Favier&nbsp;compl\u00e8te le spectre sonore par une \u00e9tendue polychrome, ne se privant ni de mixer la voix ni de poitriner dans le grave, afin de conf\u00e9rer \u00e0 Caliste une dimension lyrique.\u00a0\u00bb <strong>14\/11\/19 Les Amants Magnifiques, Op\u00e9ra de Reims<\/strong> \/ <a href=\"https:\/\/www.olyrix.com\/articles\/production\/3588\/les-amants-magnifiques-moliere-lully-opera-reims-9-novembre-2019-article-critique-chronique-compte-rendu-comedie-ballet-centre-musique-baroque-versailles-les-malins-plaisirs-cluzeau-loisel-cochet-niquet-leventail-masse-concert-spirituel-niquet-arsane-roch\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Jo\u00ebl Heuillon pour Olyrix (s\u2019ouvre dans un nouvel onglet)\">Jo\u00ebl Heuillon pour Olyrix<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>D. PARTON \u00ab\u00a0Jolene\u00a0\u00bb Cover by Comet Musicke G. BINCHOIS \u00ab\u00a0Ma dame que j&rsquo;ayme\u00a0\u00bb Comet Musicke \u00ab\u00a0Place donc au concert pilot\u00e9 par sept artistes, chanteurs, violistes, violonistes, cornettistes, fl\u00fbtistes: des histoires &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/mariefavier.com\/index.php\/videos\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Vid\u00e9os&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-98","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mariefavier.com\/index.php\/wp-json\/wp\/v2\/pages\/98","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mariefavier.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mariefavier.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mariefavier.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mariefavier.com\/index.php\/wp-json\/wp\/v2\/comments?post=98"}],"version-history":[{"count":36,"href":"https:\/\/mariefavier.com\/index.php\/wp-json\/wp\/v2\/pages\/98\/revisions"}],"predecessor-version":[{"id":852,"href":"https:\/\/mariefavier.com\/index.php\/wp-json\/wp\/v2\/pages\/98\/revisions\/852"}],"wp:attachment":[{"href":"https:\/\/mariefavier.com\/index.php\/wp-json\/wp\/v2\/media?parent=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}